I am always so happy to find a "new" photo of John Lennon, especially if it is from one of my favorite times, 1974. This is a photo and story that came from the Huffington Post. If you want to read the full story, please click on the link because I am just copying part of the story. It was written by an editor at Record World magazine in the 1970's.
On the day in question, assistant editor David McGee was given a reprieve so that he could do an exclusive interview with Jackson Browne from the office, via telephone -- his first interview with a major artist.
McGee, who had only recently been promoted from the RW mail room, recalls, "To study up, I brought to the office not only Jackson's new album, Late for the Sky, which would be the focus of the interview, but his two previous albums, Jackson Browne and For Everyman. A pair of headphones was on the desk, and although I plugged them in while I played the albums, that didn't stop the music from pouring out of the speakers. I had my back turned to the door and was hunched over the cover of the Jackson Browne album, listening to the haunting 'Song for Adam,' a requiem for Browne's departed friend Adam Saylor, who apparently committed suicide in Bombay.
"It's one of Browne's greatest songs, as beautiful as it is mournful, and apart from its Biblical allusions it's a touching testimony to the power of friendship. As I played the song for probably a third time, I became aware of a presence in the room; I knew I wasn't alone anymore. Thinking it was probably someone from the office, I kept focused on the music, until finally I had to see why this presence wasn't leaving.
"When I turned around I was face to face with John Lennon, who was standing alone in the doorway, listening to 'Song for Adam,' apparently as intently as I was. When it finished I took off the headphones, and John, who wasn't introduced and obviously didn't need to be, said, 'That's a great song. A really great song. The whole album's like that, isn't it?' The latter wasn't really a question; it was a rhetorical statement. And then, like that, I was in a spirited conversation with John about Jackson Browne, finally getting around to Late for the Sky, of which he had heard only the title track. 'That one got under my skin,' he said, and then John Lennon -- John Lennon, mind you -- added: 'I wish I could write songs like that.'
"Talking to him was as easy as catching up with an old friend. No pretense, no attitude, no sense of entitlement on his part but exuding a real warmth engendered by a connection through our mutual awe at what a song can mean in a person's life, and how it comes out of a person's life.
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| John with Toni Profera |
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| Toni, John and an unknown Record World employee |
On the day in question, assistant editor David McGee was given a reprieve so that he could do an exclusive interview with Jackson Browne from the office, via telephone -- his first interview with a major artist.
McGee, who had only recently been promoted from the RW mail room, recalls, "To study up, I brought to the office not only Jackson's new album, Late for the Sky, which would be the focus of the interview, but his two previous albums, Jackson Browne and For Everyman. A pair of headphones was on the desk, and although I plugged them in while I played the albums, that didn't stop the music from pouring out of the speakers. I had my back turned to the door and was hunched over the cover of the Jackson Browne album, listening to the haunting 'Song for Adam,' a requiem for Browne's departed friend Adam Saylor, who apparently committed suicide in Bombay.
"It's one of Browne's greatest songs, as beautiful as it is mournful, and apart from its Biblical allusions it's a touching testimony to the power of friendship. As I played the song for probably a third time, I became aware of a presence in the room; I knew I wasn't alone anymore. Thinking it was probably someone from the office, I kept focused on the music, until finally I had to see why this presence wasn't leaving.
"When I turned around I was face to face with John Lennon, who was standing alone in the doorway, listening to 'Song for Adam,' apparently as intently as I was. When it finished I took off the headphones, and John, who wasn't introduced and obviously didn't need to be, said, 'That's a great song. A really great song. The whole album's like that, isn't it?' The latter wasn't really a question; it was a rhetorical statement. And then, like that, I was in a spirited conversation with John about Jackson Browne, finally getting around to Late for the Sky, of which he had heard only the title track. 'That one got under my skin,' he said, and then John Lennon -- John Lennon, mind you -- added: 'I wish I could write songs like that.'
"Talking to him was as easy as catching up with an old friend. No pretense, no attitude, no sense of entitlement on his part but exuding a real warmth engendered by a connection through our mutual awe at what a song can mean in a person's life, and how it comes out of a person's life.